LIVING IN ONE TIME

We live in one time, flowers live in another. Ours is mostly artificial, of our own devising: time compartments of the social mind. 

I was out in the garden one morning a few days ago, not cleaning up after the wild pigs for a change (more on that later), but doing one of the autumnal things gardeners do in that absently focused way gardeners do things - not thinking of time at all, just going along with the body on functional autopilot - weeding, raking, hauling - and in the path of my task I noticed the oddness of one slim green flowerstem sticking up out of the ground, just a bright dash of green with but a dab of red at the end - it looked familiar, but incomplete - had I accidentally cut off the tip of it or what? It gave me pause, called me forth, and so the new flower reminded me what date it was. 

It was the Autumnal equinox, or higan in Japanese; yesterday was the higan holiday on the Japanese calendar: September 21 (so that's why the date was in red!). Every year around this is when the higanbana bloom, as though to remind us.

They know something big-- not about time, as all flowers do, but about a specific "date," as we humans term it, a particular timepoint in our particular framework comprising planetary orbits, rotations and suchlike; these flowers, though, know this point in time every year without all that, without our math or astronomy or information recording systems, when their new flowers suddenly sprout up overnight or it can seem right before your eyes if you haven't been watching, as so many of us don't at about this time every year, when we're busy with our own yeartime tasks and can forget for a duration the deep purpose of life, which is to bloom whenever the time is right... as the higanbana have demonstrated for eons.  

Later, from the deck at the end of the day I could see that over in the shady corner, by the stone steps down to the inner road, a cluster of higanbana stood erect on their slender green leafless stems, blossoms open to their full spread, gathered like a misty scarlet cloud, saying in unforgettable red to all who pass by Hey it's the equinox! Not that they "know" this as we know this, although they do-- it's difficult, with only a mind, to get at this aspect of reality and all its permutations that come to pertain every year with higanbana, but they "know" it not in the merely intellectual way that we do: they know it in the fiber of their lives, they rise by it from the earth itself, and stand there; they live it, they proclaim it in unmistakable scarlet for all to see, they are one with it, that is why they are there now in the shade, stating these facts as crimson in the shadows, or like fireworks out in the sun, declaring a truth to one and all in the strongest terms of red, clustered there, seven or eight of them this year beneath the tsubaki trees; next year there will be more, making the same emphatic point about time with the same bright excitement, as what they know grows in an importance we have yet to discover...

LIFE TO THE DAY

This late September afternoon and evening I'm out running around with one arm plus, sectioning, sorting and stacking a mountain of firewood we got from some landscaper guys who were scaping the grounds of a house for sale down the mountain, we asked if they could bring the firewoody results to our house (they're glad to, rather than drive several loads of wood all the way to a landfill or incinerator), so they dumped logs and long branches of ironwood, oak, beech, locust and black pine in front of the deck on Thursday night, and twice more today.

It always surprises me how heavy ironwood is, just a 30 cm diameter yard-long chunk makes you take an extra breath and then lift again for real-- I'm being careful with the one arm plus, though one could get carried away at the sight of so much free heat to put in the bank, but I have my limits and I listen for them, the arm whispers to me in the edgy lingo of early pain, then I stop.

But I got a lot done today nevertheless, also started another of my patented Brady Cedar-tree firewood holders - have those tall, green sophisticated presences do something more than look beautiful, put those strong slim bodies to work, get some muscle on those grainy bones, thereby freeing up our metal firewood holder for winter use on the deck, which was part of the plan -

In the midst of all these hitherings amidst the rough bark and grain, through the grays and browns and fading greens and crisping leaves, with the right-on-time blossoms of higanbana rising straight up, standing around like squads of cardinals watching a priest do all the work, I couldn't help but notice the extreme oddness of a big beautiful delicate yellow summer flower coming up from the nowhere of tall unkempt grass that's always by the garden faucet, no place for such a flower, out of time too, for when I looked closer with an armful of ironwood I saw that it was a melon flower, a golden mist of a blossom grown from a seed dropped some time during the summer when I was washing the kitchen sink garbage strainer (after dumping the contents on the compost pile over by the cherry tree).

And so an opportune packet of life took advantage of the household situation to show the immediate world what a melon seed can do on its own amidst hard labor and punctilious bloomings, and what a beauty it was, all the more precious for being so out of place and time: a summer melon blossoming in Autumn, a flowery martyrdom up here on the mountain, quiet little facet of the mystery, offering its bright life on the fading day...

BREAKFAST

Big black butterfly
breakfasts on the first higanbana
that bloomed this morning
in our garden.

LONG KNOWLEDGE

Heading down the winding road this morning under lowering mountain clouds as the sun was just dawning above the lake, its long rays edging sideways into the dark wedge of space beneath the thick clouds, I was perfectly placed to receive the gift of fresh light livening all the dew the night had draped on the mountainside, to behold in slopes of diamonds how each blade of grass, each seed, each leaf, gathered and held its share.

On a certain type of grass about a foot high, fine hairs held the dew in drops so small as to make them all seem a cottony vapor; patches of that grass stood out like glowing clouds of mist hovering in place just inches above the ground. Each type of grass I saw, each plant, coddled the dew in its own way: the clusters of spider lilies scattered along the roadside cupped the silver beads in the narrow curls of their glowing red blossoms, stringing others in evenly spaced crystal orbs along curving scarlet tendrils tipped with gold...

Though each of these individual plants was now existing for its first and only time, there in plain sight was the long knowledge that each of their line has gathered of early autumn in these parts, what is to be expected in this anciently recurring brief turn of weather, what to do with the happening, where and how-- to ensure that each drop of dew is separately held so it doesn't run lost to the ground but remains possessed, nestled, cradled, held close to vitalize seeds or evenly strung out like beads to wait their turn at nourishment, each of that whole mountainside of dewdrops holding in itself the sun, shimmering in that moment of down-mountain breeze from out of the darkness...

May we hold as closely the sunlit dews of our own lives...

DANCE IN RED

Now that we in all our autumn doings tend to turn inward, away from the importances that nourish the roots of our going on - that permit us to be - now that nearly all the rice has been harvested, now that farmers too are busy indoors and their fields lie empty, bleakly shorn, puddles of mud and scattered chaff lying fallow as even the weeds themselves begin to lie down and the flowerless air to chill, on slender green leafless stems rise the elegant gestures of higanbana (Lycoris radiata – Spider Lily), each red blossom part of the bright ballet now dancing across the fields from out of the ground: one morning there they are, rising in the light, you never know where a new scarlet cluster will show up or how the flowers get around (since they make no seeds) but now they are dancing to the wind's music even on our recently reorganized mountainside, where they gesture in their red clouds along the untrammeled streambanks, reminding us that we have reached the turning point, the time of equinox, when the silent skyhinge swings us and all into winter and future: we've made it this far we're reminded by this red dance of velvet gestures, randomly presented about the landscape, though most impressively where the earth has lain untended, for nature dances best where humankind least sets foot…