THE VISIT

The Trio of Brio came over for  brief visit the other day...

While there Was Light

The Trio of Brio - Kaya (12), Mitsuki (10), Miasa (10) - came over for a visit on Sunday, and when in the afternoon I came downstairs from my editing work in the loft for a break to investigate the unusual silence I noted that while Miasa was doing the intimidating mound of dirty dishes generated by the youthful hunger crew, her sisters were nowhere around. I asked her about that, and she said - with no sign of solo-dishwashing rancor - that they were outside somewhere, playing.

In the continuing oddness, despite all the open doors and windows I couldn't hear a single kidsound from outside, a rare situation with the Trio around, so I went outside barefoot - just gonna be out there a minute - and found Kaya hunkered down on the suntoasted evening road with the big binoculars at her eyes, trying to focus on Mitsuki who 100 yards or so down the mountain was jumping up and down and side to side, I guess trying to make herself more interesting or harder to see.

While the two went on with their optical gravity visualization experiment (I didn't ask, knowing I wouldn't understand the response; anyway you don't bother focused experimenters) I just stood there and looked around-- the whole blue sky up there like a big robin egg shell lit up from the outside, the mountain arms around reaching out, shadowed and unshadowed, in the rays of the sun now behind the peaks; the darkening blue lake smooth as the sky, sparkling with boats; the big island beginning to glimmer with fisherman house lights and the same beyond, disappearing into the mainland; behind me the sheets of last clouds turning from pale gold to mango before the dark and the stars; about then the girls gave up on the binocs and grabbed the garden hose, began watering themselves and the locality...

I just stood there turning and turning, bare feet cooling in the flowing water, while there was light.

THE SUPERGREAT WEEDWHACKING ADVENTURE

The portion of the road below our house has been steadily narrowing over the past month as the roadside bamboo, saplings and weeds overgrow. The gleaming polish of the autos that travel up and down here are under increasing threat from those reaching woody arms - many with thorns - all owing to local community politics.

In the past, every year at about this time, as I’ve chronicled herein, the village below and we up here get together in a big, well-organized roadside weedwhacking work party, in which dozens of husbands and wives et al. clear both sides of the entire road up the mountain in a morning. Always an impressive event. This year, though, the whacking didn’t go this far up; it stopped down around the school at the bottom of our road, because our water co-op drilled a well and was no longer getting water from the village, severing a strong obligatory tie between us.

Henceforth, due to local village mountain-water politics we are on our own, weedwhackingwise. I waited and watched and asked and listened, but it appeared that no one in our upper community was going to do anything about it (or organize to do so, which situation is likely to change at the next couple of community meetings, since all these folks drive nice shiny cars).

Along the southern roadside the weeds had by this point narrowed the road nearly by half. Immediate emergency squad action was the only viable solution. So it was that I summoned my work crew, the Trio of Brio (motto “Sudorem delectatio est,” “Sweat is Fun”), to help me do something about it. We got out the best new big green wheelbarrow with banana-yellow handles in the world, rakes large and small, clippers, shovels, buckets, hand scythes, a big scoop basket, I got out the new high-powered weedwhacker, put on the bamboo-cutting blade and we assembled at the target area not too long after dawn, figuring to finish half the work today.

An interesting thing happens when you give brief, unadorned instructions to kids regarding tasks, like “separate the few hard woody stems and throw those back onto the cut overgrowth, wheelbarrow the rest up the mountain road to the compost strip behind the garden, then clean up the leftovers on the road.” One of the twins (Miasa, I think) took that latter instruction to near nanolevel and crafted a fine tool out of some whacked bamboo, got down on her knees and with her face close to the road used the tool to scrape particles of leaf dust into little piles, which she shoved into the dustpan pile by pile using another spontaneously crafted tool, and thence into the wheelbarrow. Interesting little devices and procedure for finely detailed cleanup, but soon her sweating, hauling sisters, wrestling with thorny reality, got on her case and once again the effort went into full forward mode.

At one point, while attempting to toss a big thorny bale of hard-stemmed whackstuff back onto the overgrowth, I couldn’t see the also-overgrown culvert, so stepped in it with my left foot just as I tossed the unwieldy armful and instantly hit the road, so to speak, toppling backward downhill onto the road, my old aikido lessons (from 40 years ago!) reflexively kicking in as I struck not flat on my back, but curled and ready to roll, my feet flying up into the air as my body rocked onto its shoulders, easily dissipating the force as per the old “aikido roll” (plus even older football knowledge) as the trio watched from uproad, slackjawed.  They had never seen an adult accidentally freefall and roll till his feet were up in the air before. After returning to earth I got up with only a few scratches on one forearm and shoulder from re-entry, some woody weeds getting a bit of their own back. We continued on.

Neighborly autofolks who throughout the day drove by along the steadily widening road in their unscratched shiny cars, seeing this act of communal kindness by a foreigner and three young girls sweating in the hot sun cutting, raking and hauling, all rolled down their windows to smile Good Morning... Good afternoon... The girls smiled back, proud of what they were accomplishing. Our system and my hardy crew worked so well that we finished the job in a day.

A whole new road.

ONE SUMMER AND THE MORNING AIR

How easy it is to let the time slip by as though you're 18 and have little to do with it. The older you get, the faster it glides, but with age comes perspective. So that if you've been paying some attention all these years, you can ignore the pace of time and focus more on its depths, where so many treasures are. 

Unless of course that all becomes moot because at the moment one happens to have a house full of preteen granddaughters, which pretty much lifts one out of time's inviting deeps into the broad and shining shallows of ultrayouth, which is where I've recently been spending time like a senior kid with the Trio of Brio, while their mother is visiting the US. Thus, I've been doing physical labor at a child's pace, which goes so sloooowly to me, but still sweatful, and going thence to Little Pine Beach to spend days or was it hours in the cool blue waters, or frolicking under the garden hose, spraying water up among the overhead leaves of the chestnut tree, or making a jacuzzi out of the wheelbarrow for entire afternoons and so forth, which is why I haven't thought too deeply about the rice harvest.

Then this morning as I was freewheeling down the mountain through the dawning sunlight, no breeze but that caused by my gliding quietly through the broad fields of nodding rice now almost a meter high, the tall, heavying rice heads now leaning over the tops of the string fences as though peeking into the road... My mind went freewheeling too, realizing that soon all this vigorous beauty will be cut to the ground and harvested, winnowed into big bags and sold or stored away for winter, as it has always been. But none of that mattered today, these green summer lives had been waiting all night for the morning sun and now it was here, and in the gift of that golden warmth the whole mountainside of rice grains began to live its day.

Thus into the warmed air issued a fragrance as rich as butter, rich as oils, the perfume of true wealth, essence worth more than all the rest: the fragrance of life itself living, a joy that filled the ready morning air with the contented sigh of an entire amber mountainside of rice being fully morningly alive; it was a joy that we alive are all familiar with: it was the joy of a fine occasion. It was a big mountain morning party, and I was a welcome guest.

Got me to the station, got me to the train, got me to the office, got me to work, but mainly stayed at the party. The lucky Brio Trio spent the whole day right in the middle of it. Maybe when they're older they’ll remember that day back then, when they were kids one summer and the morning air...

UNSCROOGED

I suppose as one gets older there's an increasing tendency to get a bit more scroogey as the humbuggy holidays approach, it must have something to do with age and a greater understanding of the value of time or something - there aren't many teen scrooges that I know of - and even though I don't feel all that humbuggish for my age, I may have been scroogey a few times in recent years, especially around the holidays, though such topics make one evasive about the stats. Anyway, this was all more or less true until last Friday morning.

I had come home late the night before and fallen right into bed, having forgotten that the Trio of Brio were staying the night. I'd gotten up before 6 am and was doing some work on the computer, so engrossed in my task in the dawn silence that I continued in forgetment, until all at once the bedroom door to the loft opened and three little sleepyfaced girls came out with rumply pajamas and tousled hair, cute beyond the reaches of that word. Rubbing their eyes, they gathered around me where I sat and all at once began singing Happy Birthday to you, Happy Birthday to you, for yes it was my birthday - I'd forgotten that too - and the early morning chill all at once became warm, as these three barefoot little angels turned humbug around on a pinpoint and made it sunshine. It was a touching scene, both inside and out.

So now for the rest of my life if for some reason I happen to get a scroogey twist in my psychoshorts, all I have to do is picture those sleepy, loving little faces singing to me in their really early morning celebration of my long-ago birth and I love everything about this crazy world.

What a birthday present.

SHAKESPEARE NEVER MADE IT TO JAPAN

Bill was an eclectic guy, he mentioned slings and caldrons, hawks and bodkins, arrows and handsaws, everyday tools and devices all over the place, whenever they fit a niche in one of his plot structures, but as far as bootjacks go, despite their undeniable convenience he never mentions them even once, as far as I know. And there’s a reason for this; it came to me in my genkan a few days ago, which I'll get to in a moment.

Fact is - to stay off the main track for a bit the way Bill often did, though in his case for dramatic purposes, I'm just rambling - Bill was a borrower as far as plots went, so he had to go with what was at hand; still, to never even once mention a bootjack... He himself had a bootjack, if he had boots (and who didn't, back then?), and if he wasn't a noble-- they had their own living vassally hands-on Jack-of-boots, who gave the device its name.

And if you have a bootjack, despite its well-worn humility you know how much it means to you, bringing such ease and decorum to an inelegant task; same for Bill, yet he never mentioned a bootjack, never let it strut it its moment upon the stage, never made it a star, never gave it a bit of well-deserved fame; why might that be? I here hypothesize for the first time in history that it was because, despite his broad reading and deep familiarity with travelers' tales, Bill himself never really got around much. (Who had the time, wazoo shows a week, and writing them, too!) No, he never really got international, deeply intercultural, but mainly he never lived in Japan, which is why he never saw the bootjack for what it was.

These kinds of realizations come to one here in the Orient, particularly Japan, as happened to me one evening a couple of weeks ago when, as I returned from work the Trio of Brio was waiting to rush me at the genkan, where in Japan you take off your shoes before entering the house. I was not realizing anything of bootjack level at the time, it was just genkan city, plain and simple.

Where they stood on the floor-edge of the genkan, the girls were poised to pounce as soon as I slipped off my shoes (as 99.9999% of Japanese persons do, upon returning home). I, however was wearing a pair of rodeo boots I got in New Mexico some years ago, and did not simply slip off my footwear and step up onto the floor; rather, I bent way over...? reached under the shoe cabinet (there's one in every genkan)...?? and pulled out my old and trusty...? bootjack?!

The effect upon the vibrant Trio was like pulling the plug on a house-sized generator: a large and deep silence descended as they gazed wide-eyed upon this object from another reality, this long piece of looked like wood, of alien shape, with a wedge cut for some reason into the wide end, whose edges were trimmed with soft leather-- and underneath there was a single cushioned stub jutting out at an odd angle...

I stood there with the exoplanetary device in my hand, tilting it this way and that, like the steering wand of a spaceship, so that those young and hungry eyes could view it from all angles; I turned it over slowly in educational silence so they could study it. Then I handed it to them, so they could examine it closely, in detail, and determine... no, this did not seem to help; proximity did not clear their eyes of the mystery that was there. Sharp senses and hungry minds were not providing an answer. The purpose of a bootjack does not come easily to one who has been raised in a historically bootless culture.

Six wide and puzzled eyes looked at me for the answer: What was this thing? What was I doing instead of just taking off my shoes like everybody else does? What was the point of this theater? (Bill slipped into thought at this point.) Six eyes went from me to this piece of wood, then back to me, back and forth, looking for answers.

As Bill has demonstrated so well with his many characters, like Hamlet (who could never decide whether or not to bother using his bootjack) and Lady MacBeth (who bootjacked daily, offstage), plus Rosencranz and his buddy, coming and going (rabid bootjackers), timing is everything. The tension built... the audience of big brown eyes looked at me; I turned the object slowly, then suddenly dropped it on the floor! Hooked my right bootheel into the wedge, placed my left foot atop the wooden slab, pulled my right leg upward, and-- VOILA! A boot was standing there empty of my foot, which now stood bootlessly elsewhere!

Amazement filled the genkan. There was a loud and multivoiced kiddy version of all those adult shockwords that were frequently given voice during Bill's presentations at the Globe... Whoa!! What the ***? How the ***? and so forth, in this case followed by Lemme see that, I wanna try that, Can I do that! Me too! And so for the next 15 minutes the little stage that is the genkan was crowded with auditioners, trying on all the boots of all the kinds in all the genkan, shoes too, just to see how that went, and now all three understand and are greatly impressed with this radical new concept and cultural item from the Occident (a place Far East of here), called a "bootjack." Some day it will find a place in their plays, I'm sure.

If only the same thing could have happened to Bill when he was a kid...