Showing posts with label night. Show all posts
Showing posts with label night. Show all posts

Saturday, March 27, 2010


DARKNESS NIGHT


Tomorrow night is No Electric Light Night for those of us in on it in these parts, when we will use only candles and lanterns and show ourselves and the kids what darkness is and means, how much a part of life it is and true, and how familiar it can be and not to fear, so much has been forgotten of where we were and whence we came and how--

Already it recalls to me one moonless night while we were living on an island off the coast of Spain, out on a point with the ocean at our front, with no electricity, not long after we'd moved there - with only one candle to cook by and eat by - there was a knock from the dark at the dark door, it was an elderly man without light who had come round the point from the sea and had walked the long dark path up to our candle to ask the way to the village over the mountain, and would go hence into the night and over the mountain without light and how would he see, I city-wondered.

Before long we too were walking over the mountain along stony paths even on moonless nights, seeing fine by the light of the stars and the ancient light-finding strength that had been in our eyes all along unasked for, and so never received until now. More than ever, we need to learn what darkness has to teach us that we do not know we already know, from long before our own lives. We should share this knowledge with our children, that the world may be the simpler place it is, both day and night--


DARKNESS NIGHT II

Darkness, as one might expect, is a lot darker out in the country; it's pretty much actual darkness out here where we are, except for a small light out on the island and a few sprinkled far across the Lake that go out one by one as night deepens.

Until a hundred years ago, city and country everywhere were pretty much the same at night; now the city has a 24-hour day. But though we all know this, even out in the country what has been lost to us with the loss of the dark tends to slip the mind when one has recourse to brightness at a switchflip. Easy light has made us lazier than we know, has let us drift from attentions we were born to give to the darkling edges of our lives, it has taken us farther from the forebears in our eyes and from 99.9% of our evolutionary history. Living in familiarity with darkness is in fact fully natural to us.

So it was like seeing an old friend last night when we came home to a dark house, went inside in the dark, lit some candles, a small kerosene lamp, and proceeded to prepare and eat dinner. Kaya was quiet, more thoughtful and studious of distances than her usual brightlight boistery night self. She was intrigued, instinctively contented with this new face of things, the space closing around her like a soft blanket. The food was different, the faces were different, the rooms and the house were different. We talked about darkness and history; we talked about how you don't have to be afraid in the dark, because in fact you can see in the dark: see?

We talked about how humanity had until just a few decades ago always been familiar with the dark and lived in close adherence to the cycle of dark and day, and how loss of the night must have deeply affected us humans, who have evolved through eons in bond with the natural cycle of dark and day; how light has changed us, how dark has changed us, and how the loss of one-half of that equation must have unbalanced us in ways we do not know.

We noted how things had a new beauty when shaded by the night, acquiring depths that light cannot contain, that only its absence can provide, and how without electricity conversation gained importance and intimacy. For her part, Kaya watched the candleflames flicker and smiled with an ancient, familiar delight.

Darkness was good.
(From two PLM posts of June 2003)


Monday, November 13, 2006


NIGHT BAMBOO 1


Standing out in the strong wind last night getting a good soft buffeting, listening to the air itself roar the way it does when seasons change, in the castoff light from the house windows I watched the same bamboo I always see as a wall of vegetation in the light of day when I look out the window or glance up from gardening or firewooding-- but now in the light upon the dark and as a figure in the picture myself I saw the bamboo as if on a stage, saw how it lived and moved in ancient understanding of the roar of an autumn night, it was a different beast, clearly alive now, collective in its singularity, truer to its nature there in the night world, where seeing is of no point and being is all--

I'd always thought of the bamboo in itself as individual stalks; this is the variety they make fishing rods out of, mountain bamboo, grows taller than a man but is slender and crowded, too densely for any but wild pigs, ferrets and snakes to get comfortably through, maybe a fox now and then (the bamboo and the animals share a primordial alliance of noses and shapes) but now in the hurry of the night each light-paled stalk was on its own, yet one with all the others, like a school of bright fish in the sea they were together, shifting and swerving, shining and turning as one golden mass in the roiling ocean of the air, that ocean moving with and around them, 'together' in its deepest meaning, wind and stalk, air and plant in one vast thought swaying, vibrating; both surrendering, both prevailing, the air moving on, the bamboo letting it go, holding fast to the earth, each stalk reaching even in the night for the light of the day to come, in ancient and undying trust.