Showing posts with label ophthalmology. Show all posts
Showing posts with label ophthalmology. Show all posts

Thursday, June 25, 2009


OUTSIDE THE BOX


A somehow suitable conflation of ophthalmology and punk parameters-- who are we to impose prior restraints on unexamined possibilities?

There are certain times in life - and you don't know what they are until you get there - and there are certain states of being that require certain inexplicably ritual implements to be used in ineffable fashion - and you don't know what or how before you get there, either, but for some reason implicit in a muggily oppressive rainy season afternoon yesterday on the side of a mountain in Japan a stack of had-to-be-edited-right-now medical papers mysteriously generated a certain spiritmindsoul (SMS) warpfield that was of a certain shade, density, texture, flavor etc. and called precisely for a not immediately identifiable accompaniment, what was it, what could it be, the SMS asked in no certain terms: mint candy? chocolate? some lemonade? a cup of coffee? No, mundanity was the least of it, this was way out there-- a plangency was needed-- an evocation was called for-- some seminal nostalgia-- an artifact plucked from the depths of time that would somehow relate to... and be at home in... yet comfortably obviate, ocular surgical syntax and related matters, with volume2max... ah yes: Velvet Underground, Lou Reed, Waitin' for My Man, Heroin, Sweet Jane, Pale Blue Eyes, Beginning to See the Light, perfect editing rhythm yet ophthalmologically appropriate.

Syntactic surgery performed in a keyboard flashdance, way outside the box.


Sunday, April 27, 2008


EYES AND OAK


As hinted at in various of these eclectic chronicles, the experiences of a freelance editor attempting to live in simple modernity out in the Japanese countryside can be surreal when the simple and modern converge head-on (in my head) at times such as today, when, after splitting a stack of firewood in the cool of the morning I came into the house to have at the waiting stack of pages and had to get at the grain of the suggestion that monocular diplopia arises from secondary astigmatism in combination with spherical aberration, whereas monocular triplopia arises from trefoil in combination with spherical aberration.

As the two experiences blend organically in said head, at some deeper level that I have no time to fathom at the moment I surmise that both diplopia and triplopia have much in common with cherry bark and the grain of oak. I’ll get out my mental wedge later and see if this mindwood will split and dry, make a viable flame.